Why vector files matter for sign shops — and how to spot a bad one.
The difference between a vector file that prints and one that fails on the router isn't always obvious. Here's what to look for before you cut.
Articles on prepping files for shops, choosing color matches, kerf compensation, embroidery stitch limits, and the rest of the boring-but-important details.
The difference between a vector file that prints and one that fails on the router isn't always obvious. Here's what to look for before you cut.
Spot color separations and CMYK process builds solve different problems. Picking the wrong one costs you on the press.
The brief you send sets the ceiling on what you get back. Five things to include — and three things designers wish you would stop sending.
We do not digitize — but the vector file we send your digitizer makes or breaks the result. Here is what we are prepping for.
Inside cut, outside cut, kerf width, lead-in. The five concepts that turn a vector into a cut path that fits.
Filled letterforms work for printing. For engraving, you need single-line strokes. Here is what changes and why.
Screenshots of business cards. Faxes of faxes of logos. A list of source files that no amount of skill can recover.
Pick the wrong halftone settings for your mesh count and you get moiré. Here is the math we use.
Our largest subscription tier is discounted through the end of June. Best value if you are submitting 30+ jobs per month.
Permanent, removable, premium cast. The three Oracal grades we call out on every vinyl job — and when each one wins.
Articles on production-correct vector files, sent once a month. No sales emails, no autoresponders.